Seven Men [Excerpts]

"Seven Men" by Max Beerbohm is a collection of stories published in the early 20th century. The excerpts provided begin with "Enoch Soames," a tale that reflects on the themes of artistic ambition, failure, and the quest for recognition. The central character, Enoch Soames, is depicted as a rather tragic figure: a poet whose work lacks the acclaim he so desperately seeks, ultimately leading him to make a Faustian bargain with the Devil in hopes of understanding his legacy. The opening of the book introduces Soames through the lens of a contemporary narrator who reflects on their encounters. The narrator recounts how Soames’s attempts to find success in the literary world are both naïve and pitiful. Despite his aspirations and recent publications, Soames remains an obscure figure, overshadowed by more celebrated artists of his time. His awkwardness and eccentricity are apparent during conversations about art and literature, revealing his internal struggles and deep desire to be recognized. As his story unfolds, it becomes evident that Soames embodies the tragic plight of artists who grapple with the insecurities and harsh realities of creative existence, ultimately culminating in a supernatural twist that propels him into a future he wishes to explore. (This is an automatically generated summary.)

Sir Henry Maximilian Beerbohm was an English essayist, parodist and caricaturist under the signature Max. He first became known in the 1890s as a dandy and a humorist. He was the drama critic for the Saturday Review from 1898 until 1910, when he relocated to Rapallo, Italy. In his later years he was popular for his occasional radio broadcasts. Among his best-known works is his only novel, Zuleika Dobson, published in 1911. His caricatures, drawn usually in pen or pencil with muted watercolour tinting, are in many public collections.